And here sits words, they together being both Milkman, and simultaneously number one prize winner in twenty-eighteen. It seems odd. Many have complained about their not-wanting-to-read-it feeling. ‘Challenging’ that it was: although the shiny pinkness it exuded might have made them feel safe, because that it was what they came to the pink book for, yes. That was my answer, and another answer is that perhaps the problem is not with the book, but with the readers’, the objectors’ literacy. Or their poor literacy. Not everything is limited to a monosyllabic nature, even if that is essential a twenty-first-century-mode-of-communication, headless of the need, or is it heedless, or is that the same thing now, that in real life people talk more and shout less than they do in that other place, the internet. Because, of course, there is still culture, somewhere in the world, although not in the maybe-hole-of-the-internet that everyone lives in now. The real question- the one we should be asking ourselves, and not only because asking questions is important, but because it allows us to feel like to have some autonomy in matters which really do not concern us, individuals- is will Author, the one who gave us the gift of difficulty and through Narrator reminded us that reading-while-walking is a dangerous activity, will Author be able to continue on her one long path down the halls of authors and poets who write Classics and become pictures of classical greatness. One good pink book is something, indeed, but another book in the same specific tone, about the sadness or the troubles or the difficulties in that warping nineteen seventies madness, and it could be jamais-vu. Today people might find tablets girl, a.k.a. girl who was really a woman, something to talk about, but if another maybe-boyfriend hoards superchargers in the same way but in another text, will the problems be limited to ‘over the water’ or will Author struggle to find her book land after the splash, quite a splash, that was made by this pink book? It is a good time to meet Milkman nonetheless. Well, no, it is never a good time to meet The Milkman, (not The Real Milkman, but) renouncer-in-state Milkman Milkman, because that is when Narrator becoming interesting. Becoming interesting is a problem. Eyes on you and beyond you, the rumours becoming truer than true and you sit here wondering well hell is this not our world, were those implicated for violences and celebrity rumours guilty of everything that they were told they deserved. Terrorism is a theme for today, being that people are terrorised today by everything because that is what they were taught, but not in the same way that people were taught not to be too sad if Somebody McSomebody’s brother’s head was in the road. And then there is being interesting, as aforementioned, but not in the way of flashing lights, also, either, but in the way that interesting manifests on trains and buses and lots of people pressed together and one single Milkman driving his white van alongside the road whilst you are reading-while-walking. Not having paragraphs is something strange, to be grappled with. Difficult it is, to be stopping, pulling away, because breaks are not clean and today we like a clean-break life, yes. Tell me, you like the clean-breaks but life is not like that, no, it is one long messy feed of pictures and noises and message you do not want to read but do because you are bored, and anyway: relevancy. Relevancy. We will read the pink book, winner of the big prize? Yes we will, reader-of-mine.
Published by melrosegreene
I read the back of cereal boxes, leaflets, instruction manuals, dregs of alphabetti spaghetti and occasionally books. No genre in particular fascinates more than the next, so expect to find reviews of books from the Classics, Man Booker winners and your standard Waterstones' front shelf. MG View all posts by melrosegreene